Gautam Sen Memorial Boardgame Museum
Gautam Sen Memorial Boardgames Museum
The museum hosts a collection of boardgames both ancient and modern, ranging from the oldest ever boardgame, The Royal Game of Ur to current games such as Settlers of Catan and Grizzled. On display are mainly the older games from different parts of the world with a focus on Indian games, of course. You will find games such as Go, Mancala and Senet here as well as a collection of Ganjifa cards and chess sets from all over the world.
The museum is an entirely non-profit and private space and entry is by invitation or prior appointment only. It is still a very small effort and we encourage only those who are really interested in boardgames to visit.
The timings are 5:30 to 7:30 p.m. on weekdays and from 11 a.m. to 6 p.m on weekends.
There is no charge for visiting the museum.
Please fill out this Google form if you wish to visit and we will get back to you.
We request you not to touch the exhibits and while the museum is also open to children, we encourage supervised visits. Also, the boardgames are not available to play unless you obtain special permission.
Browsing the museum is easy and there are three ways to go about it:
- You could use the museum’s mobile devices to scan the QR codes (on the exhibits for detailed information. We have tried to consult authoritative sources and in most cases the codes will direct you to the Ludii Portal, which is one of the authoritative research sites on boardgames. Where the Ludii website does not have the information, we have referred you to similar academic forums.
- You could also use this index and read the entries following the numbered exhibits.
- If you are feeling chatty and want an adda over a cup of tea, just ask me about an exhibit and I will jog my memory for information and of course, anecdotes.
My new book
So my new book is out. You can get it on the Bloomsbury website: https://www.bloomsbury.com/in/videogames-in-the-indian-subcontinent-9789354356919/
Here's what it is about:
Description
Videogames in the Indian Subcontinent: Development, Culture(s) and Representations explores the gaming culture of one of the most culturally diverse and populous regions of the world-the Indian subcontinent. Building on the author's earlier work on videogame culture in India, this book addresses issues of how discussions of equality and diversity sit within videogame studies, particularly in connection with the subcontinent, thereby presenting pioneering research on the videogame cultures of the region.
Drawing on a series of player and developer interviews and surveys conducted over the last five years, including some recent ones, this book provides a sense of how games have become a part of the culture of the region despite its huge diversity and plurality and opens up avenues for further study through vignettes and snapshots of the diverse gaming culture. It addresses the rapid rise of videogames as an entertainment medium in South Asia and, as such, also tries to better understand the recent controversies connected to gaming in the region In the process, it aims to make a larger connection between the development of videogames and player culture, in the subcontinent and globally, thus opening up channels for collaboration between the industry and academic research, local and global.
Table of Contents
Section One: Development
1 Digital Technology and Videogames in the Indian Subcontinent: An Attempted History
2 The Videogame Industry in the Indian Subcontinent: The Current Scenario
Section Two: Cultures
3 Diverse Subcontinent, Ludic Cultures: The Non-Digital Game Cultures as Context
4 Digital Gaming Cultures in the Indian Subcontinent
Section Three: Representation
5 Representations of the Subcontinent in Videogames Global and Local
6 Absent Discourses in Game Cultures: The Case for Diversity
7 What Wakens the Sleeping Giant?
Bibliography
Appendix One: Timeline
Appendix Two: Survey
Glossary
Ludography
Game Studies India Adda to DiGRA India
Suniti Chattopadhyay, in his 1913 article ‘Hostel Life in Calcutta’, describes adda as 'a social activity or a space for a carefree talk with boon companions'. In Games Studies, because of the nature of the area, things are much more flexible and easygoing than in most other academic circles. Bringing Games Studies to India has always been my dream. Or at any rate, it has been for the past twenty years. What better mode of bringing Game Studies scholars in India together than an adda. A carefree chat about games without the fear of being shushed. And in a country that has one of the largest and most diverse gaming populations yet is not on the games research and development radar, it was necessary to get the conversation going. Especially when there are so many who have such fantastic ideas about games and gamers. In 2019, when I organised the GamesLit conference in Kolkata (arguably the first international Games Studies conference in India), the high quality of the papers from India impressed not just me but also my colleagues from abroad. It was Espen Aarseth who asked me why I was not setting up something whereby we could have a games research community in India. The thought remained with me and during the pandemic, I decided to take the plunge by roping in some talented young researchers who I thought would be able to carry on the discussion, giving it a local flavour (through the adda mode) while also participating in the international network.
Today, after ten months of our existence as Games Studies India, we have been recognised as a chapter of the Digital Games Research Association (DiGRA). We are now DiGRA India. It is a dream come true for me that after two decades, digital games studies now has a platform for debate and discussion in India. DiGRA India, in its earlier avatar, Games Studies India Adda, has featured talks by eminent scholars and industry experts from both India and abroad. These can be accessed on our YouTube channel, here. As DiGRA India starts functioning we hope that we can connect the research on India's gaming culture to the rest of the world.
Check out DiGRA India on our website: https://digraindia.com/
Chess and Death
Covid-19 has left its indelible dark mark over my family. My dad-in-law, Gautam Sen, passed away recently felled by that dread disease. He was a polymath - a chartered accountant, a traveller and someone with a deep interest in history. As his daughter says, he has now gone to visit 'the unknown country from whose bourn no traveller returns'. For me, he will remain the embodiment of the ludic, a chess-player par excellence and an enthusiast in the digital. He was forever battling Fritz and other computer programs often beating them or drawing the game. I had tried to introduce him to strategy games - Napoleon: Total War, specifically, because of his interest in Bonaparte. That didn't quite work out but Chess remained a lifelong passion with him. He had been instrumental in bringing the Soviet grandmaster and former World Champion, Vasili Smyslov, to Calcutta and gave up a potential chess-playing career for family necessities. Every now and then, I would see him sitting in his office and watching chess matches on YouTube. A chess enthusiast myself, I have never had the patience to watch chess games but he would analyse them with much care and consideration.
I will not have those conversations about chess again when I am at home and I doubt anyone else here will beat Fritz 7; not me, certainly. The shelves are, however, filled with books on Chess. Yes, these remain. Memories.
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(This is a personal post and although I refrain from posting about anything other than my research, Covid-19 and the damage it did to my family is certainly an exceptional scenario; hence this post.)
Speaking on Board Games for the Indian Museum's Stories of World Cultures series
Here's me presenting on boardgames in episode number 29.
The Looting of the Ganj i Sawai and Uncharted 4
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Nathan Drake discovers the treasures of the Great Moghul in Uncharted 4 |
Games and Literary Theory Conference, Kolkata November 2019
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The GamesLit 2019 team: GamesLit pioneers
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Keynote Diane Carr responding to a question from Prof Sumit Chakrabarti |
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Anirban Ray on games from ancient Egypt |
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Game scholars from the world over. (From left): Tomasz Majkowski, Me, Yue-Jin Ho, Pavel Grabarcyk, Olli Leino, Poonam Chowdhury, Espen Aarseth, Samuel Heine. |
My Arctic Adventure - Tromsø 2018
The northernmost games studies PhD scholar is on his way with flying colours |
The assessment procedure was pretty simple and friendly. I got a whole lot of very useful ideas from the discussion with Emil and Holger. I'm hoping that my two penn'orth of thoughts was of some use to them as well. The other highlight (and it was really high) was the cable car ride up to a mountain peak overlooking Tromso and our many slippery trysts with the ice. And then there was a fantastic three-course dinner. I usually reserve my opinions on things culinary for a different space but I can't help commenting on this one since this was a three-course grand affair with wines to match each course. Not something I'll get anywhere outside Europe. I'm sure.
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The LEGO house in Tromso |
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Mural from the more Leftist days |
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Gandhi ji outside the Peace Studies Centre where I gave my talk. |
The second talk was on a very different topic - Indian boardgames as precursors to gamification. I had given this talk to a packed gallery in the Indian Museum (thanks to the efforts of the wonderful education officer, Sayan Bhattacharya) but I have never written about it. Here was a far smaller audience and certainly one that was unfamiliar with Indian boardgames and some had never even played Snakes and Ladders! The mechanics of the game is, thankfully, very easy to explain because of how our former colonial masters simplified it from the original Gyan Chaupar. So I was able to move the discussion from the simple race game that was about a straightforward telos to the very complex and almost unending game of rebirth. Quite fulfilling to talk at length about karma and its complicated working through what is considered a children's game. Again, I was asked interesting questions about how during gameplay people start creating narratives of their own and also whether these games are more like simulations than games. One of my biggest takeaways, however, was the translation of the Persian text in one of the Gyan Chaupar boards. Azadeh Isaksen, who originally hails from Iran, was quick to spot almost literal translations of the Hindu terms into Persian in the bilingual Gyan Chaupar board that I showed in my slides. This has set me thinking - why translate it? and is it actually possible to translate the religious ideas?
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Persian translations underneath the Sanskrit terms on this Gyan Chaupar board. |
The stay in Tromso was all too short - just two days and I was on the plane again. All the way from Oslo to Dubai, I was sitting beside a Croquet player from Norway (there are only forty-five in the country) who was on his way to Cape Town for a Croquet World Championship. It was kind of hard to get through the hoops of the Croquet conversation (literally) and finally, fatigue and sleep took over.
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Sami Game Jam |
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Sami drum |
While I was in Tromso learning about Sami culture, my friend Shailesh Prabhu was attending a Sami game jam somewhere in Northern Finland. They have made some fantastic game prototypes representing Sami culture and the subaltern narratives that do not get represented in our majoritarian discourse. Here's the link to some of the games - https://itch.io/jam/sami-game-jam.
I hope I can go back again and learn more about the Sami culture.